By Leslie Walker
Plumbago auriculata, watercolor by Margaret Best, © 2011, all rights reserved.
At one time blue pigments were amongst the most expensive and difficult to obtain. Unlike red pigment, the challenge was not one of permanency but availability. Technology has eliminated many of the former problems related to this color. But in the range of blue paints now available to the artist, what are the best choices and most specifically which ones serve the specific needs of the contemporary botanical artist? For an in-depth study of the color blue, exercises to help you discover which blue pigments will provide you the best colour matches for botanical subjects, join Margaret Best for this 3-day workshop in another of her series designed to expand your understanding of available pigments. You will also learn how to use blue effectively in the highlights and shadow areas of your paintings and your knowledge gained will be used to create a single flower study.
Class location is at Sally Jacobs’ new studio in LA. An email blast will be sent out with directions; for questions, please contact me. Classes will be April 15, 16 & 17, 2011, 10 am – 4 pm. Bring a bag lunch as there are no nearby places to eat. Cost will be $275 for BAGSC members and $300 for non-members. Space will be held for a non-refundable $50 deposit sent to Leslie Walker. Final payment is due April 1, 2011.
Questions? Call or email Leslie.